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  Welcome To Unbound Zine  
Album Review

The Deal-Cutthroat
(Facedown, 2004)

This band totally takes me back to the days when I was first getting into punk music. The music was fast, fun and totally energetic. You don’t really hear many straight forward punk bands anymore and while this does combine a few genres, it reeks of the old school and has more in common with the 80’s then it does with the current scene.

The Deal’s sound could basically be summed up as a cross between punk rock, hardcore, oi, and rock n’ roll. Anything within the parameters of those genres works for the band. You have more mid-tempo songs with more of a rock or oi feel, while other songs kick up the tempo and remind me of early hardcore. Some of the more melodic sections remind me a bit of H20, but even that band was more of a throwback to the old school albeit mixed with some modern influences. I also hear a little bit of Sick of It All in a few parts as well. The Deal isn’t as heavy as NYHC, but they draw a bit of influence from it from time to time I’d say. This one I’d say would definitely appeal to fans of H20, Sick of It All, and Overthrow.

One of the main reasons I would recommend this band is the diversity. Within the sub genres of punk it’s hard to find a band that remains fresh from song to song. Most bands find a formula and stick with that for the entire duration of the album, but these guys pretty much change from song to song. It still has a unifying thread from track to track, but it would hard to say that this wasn’t a varied album.

I’m a huge fan of the production here. It has a raw, live sound but still sounds tight. The vocal performance is really brought out by the production. I would almost say that the vocals are a bit too out front at times. It doesn’t detract from the music, but I think the guitars could have been a bit louder though. Speaking of the guitars, I love the guitar sound. It’s powerful, yet isn’t overly distorted. Obviously these guys aren’t the heaviest band around, so they don’t need an incredibly monstrous guitar sound. This is the type of production more bands need to strive for. Full of energy yet, still tight and powerful.

While you could say this is more old school influence calling them just another old school band would be cutting them short. They do have some melodies and the vocal approach is a bit more modern. If a combination of punk, hardcore, oi, and rock sounds appealing to you, The Deal will probably be your new favorite band.

 

 
 


UN: The Deal seems to have had quite a few lineup changes over the years, most recently was your drummer leaving to start a family. Has it been hard to keep the band going throughout all of the changes? A lot of bands call it a day when a member leaves, but it's good to see that you guys keep slugging it out.

Collin: WELL IT'S HARD TO KEEP SPIRITS UP BUT IT SEEMS THAT WEVE MANAGED TO KEEP ON TRUCKIN. GOD TAKES CARE OF US. WE JUST HAVEN'T FELT THAT IT'S TIME TO THROW IN THE TOWEL YET.

UN: Would you say that the genre blending nature of the band is just how the music comes out naturally? You rarely hear music that combines street punk, hardcore and rock n roll that sounds so natural. Would you say that the band was started as a means to combine the genres?

Collin: WELL WE ALL HAVE A WIDE VARIETY OF MUSICAL INFLUENCES SO NATURALLY IT'S GOIN TO COME OUT IN OURS. WE ALL FELL THAT IT ALL GOES HAND IN HAND AND TOO MANY PEOPLE FAIL TO RECOGNIZE THAT. TOO MUCH SEGREGATION IN THE SO CALLED "SCENES" . IT ALL JUST SORTA HAPPENS, WE DON'T REALLY SAY OK THIS SONG WILL BE MORE HARDCORE AND THIS NEXT ONE WILL BE MORE PUNK. IT JUST COMES OUT AND IF WE LIKE IT, IT GETS OUT OF THE BAG.

UN: I also read that you guys noticed a lack of bands with moral conviction when the band was started. Do you think this has changed over time? It seems that a lot of punk music has moved away from rebellion and being dangerous and just seems to be more about high school problems. Would you agree that punk music has almost become safe?

Collin: WELL I SUPPOSE, I GUESS WE JUST STARTED THE DEAL BECAUSE WE HAVE THIS HOPE AND WANT TO SHARE IT, AND WHAT BETTER WAY THAN THROUGH OUR MEANS OF COMMUNICATION AND THATS MUSIC. BUT THE BANDS THAT I WAS INTRODUCED TO AND ARE INFLUENCED BY ARE ALL GROWING UP AND MATURING AND WRITING MUSIC THATS IN THEIR HEART NOT JUST WHAT KIDS WANT TO HEAR SO I DO THINK ITS CHANGING. IN THE BANDS THAT FOCUS ON ANYWAY.

UN: Are you guys happy with how Facedown has treated you over the years? If I'm not mistaken pretty much everything you've released so far has been on Facedown. Do you see the band continuing the relationship with Facedown in the future?

Collin: YES SIR. WE ARE VERY HAPPY WITH FACEDOWN. OUR FIRST RELEASE WAS THE "HIS PAIN" 7" ON DEATH FOR LIFE RECORDS. THEN WE GOT SIGNED TO FACEDOWN. WE WOULDN'T WANT TO BE ANYWHERE ELSE. WE WILL SEE WHAT THE FUTURE HOLDS BUT JASON RUNS HIS SHIP LIKE A REGULAR SUGE KNIGHT SO I DON'T SEE US GOIN ANYWHERE FOR A WHILE .

UN: Let's talk about Cutthroat for a bit. Would you consider it an ideal progression from the last full length?

Collin: YES SIR. WE ARE VERY PLEASED WITH THIS RECORD, I FEEL FOR ME IT IS WHERE I'VE WANTED TO BE MUSICALLY. IT IS A GREAT PROGRESSION FROM THE FIRST TWO I BELIEVE. THE MIX IS WELL PUT TOGETHER. ALL THE WAY AROUND THERES SOMETHIN FOR EVERYBODY ON THIS ONE.

UN: I was wondering if you could give some insight into why you chose Cutthroat for the name of the album. At first I thought it might have been a reference to lyrics in one of the songs, but after reading through the lyrics, I'm not sure.

Collin: I DUNNO..JUST POPPED IN MY HEAD...SOUNDS COOL. HEHE DOESNT NECESSARILY MEAN ANYTHING SPECIFIC. I THINK THE RECORD SOUNDS LIKE IT SHOULD BE CALLED THAT FOR SOME REASON.

UN: I'm a big fan of the overall look of the album. The two vultures on the cover and graveyard on the back cover are both very cool and also very effective. Do they fit in with the overall meaning of the album name? Who handled the layout?

Collin: WELL THANKS A LOT, WE WERE GOIN FOR SORT OF A GHOST TOWN WESTER THEME BUT WITHOUT THE CHEESINESS, DAVE QUIGGLE DID THE COVER ART AND CALEB OLSON DID THE LAYOUT...THE DYNAMIC DUO. THEY RULE TOGETHER. THE GRAVEYARD WAS CALEBS IDEA...LOOKS GREAT. THE VULTURES WERE MY IDEA . I DUNNO LIKE "CUTTHROAT" I GUESS IT ALL JUST FLOWS WITH THE RECORD.

UN: I might have just overlooked it in the booklet, but I couldn't find out who you recorded the album with. I think the album has an amazing live sound to it. Did you guys record live or was it in the more conventional manner?

Collin: YEA IT'S IN THERE. SCOTT SILLETTA AT ORANGE CRUSH STUDIOS IN ORANGE DID THE RECORD. WE ARE VERY PLEASED WITH IT. HES A BLAST TO WORK WITH. WE WENT IN AND DID IT THE OLD FASHIONED WAY...WELL NEWFASHIONED WAY I GUESS...TRACK ON TRACK.

UN: What brought about the idea of doing a video for Richard Bachman? It seems like in this day and age every band needs a video. Three or four years ago it was almost unheard of for a hardcore band to have a video, now it seems like it's almost mandatory. Can you explain the concept behind the video if there is one?

Collin: AH WE JUST WANTED A VIDEO YA KNOW..SOUNDED LIKE FUN...I MYSELF LOVE TO WATCH BANDS VIDEOS. THIS SONG JUST SEEMED THE MOST VIDEO FRIENDLY. EASIEST ON THE EARS SO IT'S THE EASIEST TO WATCH I GUESS. WERE JUST ALL ABOUT FUN SO IT SEEMED WELL THE SONGS FUN...THE VID WILL BE TOO.

UN: It's not hard to see that you guys are a religious band, not necessarily due to content, but more so due to the thanks list. Do you think that if people look at you like a Christian band it might alienate certain people? Some people just sometimes might hear that and think that you'll be preachy, or some people just don't think religion has a place in music. Do you consider The Deal a Christian band, or a band that happens to be Christian?

Collin: WELL WE'VE BEEN DOIN THIS FOR A LONG TIME NOW AND PRETTY MUCH HAVE A LOT OF RESPECT IN THE SCENES. WE'RE NOT WORRIED ABOUT BEIN' PIGEON HOLED AS A "CHRISTIAN BAND" WE'RE JUST KIDS IN A BAND THAT HAVE A HOPE THAT IS REAL AND WOULD NEVER WANT TO KEEP QUIET ABOUT IT. JUST LIKE ANY PREACHY STRAIGHT EDGE BAND, OR VEGAN, OR KRISHNA, OR WHATEVER. THEY CAN SAY BLAH BLAH COUNTY STRAIGHT EDGE, OR WHATEVER AND I SUPPORT EM CUZ I LIKE THE BAND AND MUSIC. EVEN IF I DON'T AGREE WITH LYRICS OR BELIEFS THEYRE STILL MY DOGS YA KNOW. WEA BAND ABOUT LOVE AND RESPECT FOR ::EVERYONE:: NO ONE IS EXCLUDED.

UN: Is touring important for The Deal? It seems like for hardcore music especially the live setting is where it all comes together. The kids singing along, bodies flying, and the band giving their all. It's really a site to behold. Would you say that the live show is what it's all about?

Collin: OH YES WEVE BEEN TOURING FOR PRETTY MUCH THE DURATION OF THE BANDS LIFE. WE LOVE IT. THATS WHAT WE LIVE FOR IS THE TOURING AND THE LIVE SHOWS. WITHOUT THAT THERE WOULD BE NO HARDCORE SCENE OR PUNK SCENE. 90% CROWD 10% BAND. THE CROWD IS THE BAND REALLY. WITHOUT THE INVOLVEMENT OF THE KIDS WE ARE NOTHIN.

UN: Has it always been important for you guys to distance yourself from what is considered trendy within the scene? Straight forward punk is about as far from it as you can get today. Seeing as though you guys are clearly influenced from the early days of punk and hardcore, are you happy with the progression the genre has made over the years?

Collin: I SUPPOSE..I MEAN WERE NOT INTO THE WHOLE MAKEUP METAL STUFF OR THE BOYS LOOKIN MORE LIKE GIRLS THAN THEIR GIRLFRIENDS..I DUNNO WHAT THATS ALL ABOUT. WERE JUST ABOUT ROOTS. I WAS LISTENIN TO BLACK FLAG, MINOR THREAT AND JUDGE AND THESE BANDS WERE ALL IN THE SAME MIX. IT WAS JUST PUNK. NOW THERES A WALL EVERYWHERE YOU LOOK. WE AIN'T WITH THAT.

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