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Nylon Pro 24 48
Three Must-Know Recommendations For Generating Pro Good Quality Audio On The Personal Computer Recording Studio
Ah, the humble laptop or computer Mixing Studio Sydney for house recording. A lot of people have a single, still so number of utilize it to its total ability. Have you actually seen that sometimes, a really professional-looking website with neat graphics and slick video clips may have a voiceover that seems crappy?
I think it's something to try and do with myths that nonetheless linger while in the zeitgeist from your older days, when audio recording was the realm of tech geeks who did electrical engineering projects for exciting. The gear needed to complete specialist recording was expensive and cumbersome. Most recording engineers couldn't even afford their own gear. They usually worked for studios with their very own budgets (universities, report organizations, and so forth.).
But that has altered dramatically previously ten or 15 years. With computer systems capble of much, and digital recording (which is as opposed to the tape recording required in the past) staying the norm, virtually any person using a personal computer can generate superb good quality audio with out having to devote a lot more than $25 or so on a moderate USB mic. So why is there still so much crappy audio out there?
Alright, I suppose we need to have a very definition of crappy exactly where audio is concerned. Here is my definition: audio that seems thin, echo-y & "far-away" sounding, noisy, hard-to understand, total of p-pops and other bass-y bumps and bruises when the speaker/singer says certain kinds of words, or any combination of the above." Some may quibble with that definition, but I find it to be quite descriptive of common audio problems.
So that means that, by contrast, good good quality audio really should be total, clear & "up-front," clean (free of any sound except the stuff you want to hear), easy to understand, and free of audio glitches like plosives or hissing, and overall natural-sounding.
Some of the above requirements for good top quality audio are not easy to obtain without having fairly good gear, hence would be hard to try and do with that $25 set-up I mentioned. But some of the most important factors, like reducing/eliminating the "echo-y & far away" thing, ARE do-able even on the low-cost computer Mixing Studio. Here are three ideas that will drastically improve your audio regardless of how cheap your set-up.
Get Close on the Mic
Generally speaking, your mouth (assuming voice recording) ought to be quite close for the microphone so that you get the best and clearest sound. Around 6 to 18 inches away is about right. If you are recording a video, and the sound source is ten feet away through the microphone on the camera, the result will be what I call echo-y & far away sounding. The reason is that the voice has such a long distance to travel that by the time the actual sound from your mouth reaches the microphone, it's also bounced off of every wall, ceiling, floor, table, and so on. inside the room and created copies of itself. Those copies are getting into the microphone too. Try to imagine sound as light, and trying to film in a house of mirrors. Everything is all jumbled up and it's hard to tell the real person in the reflections.
1 easy solution to this is to get close towards the mic. If your video camera has an external mic input, use it! Get a microphone by your lips and run the cord on the mic jack on the camera. If the camera doesn't have an external mic input just hook a mic to your laptop or computer and speak into that while filming. Then when you edit the video, add a track for the extra audio you recorded on your pc, synchronize it with the audio from the camera (the echo-y audio), then delete the camera audio track, keeping the audio you recorded with your laptop or computer studio mic.
Use a Pop Screen
Mics are sensitive to wind. Certain consonant sounds in speech (like "P" for example) called plosives, cause a burst of wind into the mic if you're close to it. The result is a muddy, unpleasant rumbling or bumping sound within the audio. 1 way to reduce or (preferably) eliminate plosives is to put a screen between your lips and the microphone. You can buy these screens, called pop screens or pop filters, or you can make them yourself with some used nylon stockings stretched over a wire hanger you've bent into a circle or square-ish shape. For good measure, you can try to be aware of consonants that cause plosives and try to minimize the amount of air you spit into the mic.
Fix It While in the Mix
With out spending a dime, you can edit your audio after you've recorded it using free software from the web. 1 such program is called Audacity, which is free and open-source software. You can use editing tools like equalization to reduce or eliminate the plosives that DID get recorded, as well as improve intelligibility, reduce noise, and many others. Audacity can do amazing things. There are other audio editors to choose from too. But if money is an issue, it genuinely is hard to beat Audacity for the price.
The above advice can be used by everyone, without acquiring to be an engineer and devoid of possessing to spend considerably, if any, money at all. If you want good sound top quality...more professional audio, keeping just these 3 things in mind will improve your audio greatly. If the tip about editing audio in Audacity sounded frightening and technical, don't worry. It's actually pretty easy. Anybody can understand it. So go forth and do no far more audio harm. It won't cost you substantially, if anything. Knowledge trumps gear.
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