Desecration-Forensix
(Metal Age Productions, 2008)

The long running UK death metal band Desecration is indeed one of the best bands to
ever come out of the country. They may not be as heralded as say Napalm Death, but
their musical output is just as vicious as Napalm Death in their prime.
Combining the blasting strains of death/grind with a groove based approach, the band
brings to mind Harmony Corruption era Napalm Death but with a slightly more modern
slant. The riffing is somewhat simple and straight to the point never wasting any
notes. Even the fast riffs stay rather simplistic making the entire album quite catchy
in the process. The stripped down nature of the riffs also gives the album a slight
thrash feel from time to time. The band also keeps the songs short which helps to keep
the energy level high throughout the entire album.
This is one of the few death metal albums I've heard lately that is solid from beginning
to end. This is a band that knows what works for them and never really stays from that.
This is an old school death metal album armed with catchy riffs, a ridiculous amount of
energy and enough groove to crack the walls in your house. In other words, just buy the
damn album already.
Sylosis-Conclusion of An Age
(Nuclear Blast Records, 2008)

I'll be the first to admit that I am becoming cynical about any new bands receiving any
type of hype in the thrash metal genre. The labels set the expectations so high that
letdowns are all too common. Then comes an album like this one. An album that is
very modern in approach but just manages to do everything right. There really isn't
anything here you haven't heard before but the way the band combines thrash metal with
many different styles of metal is definitely working for them.
While I would definitely hate to say the band sounds like a cross between thrash metal
and metalcore, the comparison does indeed fit. The band has a similar sound to say a band
like Trivium or Bullet for My Valentine but is much more vicious and a great deal more
technical. What helps to differentiate this band from similar bands is the strength of
the songwriting and the fact that this wasn't written for mass consumption. There are
definitely memorable parts but this isn't stripped or watered down in any way shape or
form. It's a more challenging version of a style that recently slumped into mediocrity.
I'm sure there are numerous metal fans out there that will take this album at face
value and say it sounds just like every other band out there right. And while it does
fit in nicely with modern thrash, the band definitely is doing some unique things and
are incredible songwriters. If you are a fan of thrash and you aren't opposed to modern
influences being introduced into the genre, this is definitely an album to check out.
Drugs of Faith-2008 Demo
(Self-Released, 2008)

Drugs of Faith are easily one of the best American grind bands going right now. This
demo is basically just a tease as it is only three songs not even breaking the 5 minute
mark. The great thing though is that the band manages to more interesting in under 5
minutes than most bands are on an entire album.
Race to the End starts the album off with blazing speed mixing rapid fire riffs with a
dissonant rock riff in the middle of the song. The speed returns at the end capping a
song that is essentially a minute long masterpiece. Anemic continues the dissonance
explored on the first song and is a much slower song yet still incredibly energetic. This
song is a perfect example of what truly makes Drugs of Faith so unique. It's like Deadguy,
Crass and Napalm Death combined which is a treat for the ears to say the least. The Age
of Reason speeds things up again with noisy hardcore styled riffing and thrashy drumming.
Some surprising melodic elements are added while still maintaining the speed. Definitely
an excellent song to end the demo with.
While the band has yet to release a full length album, this 3 song demo only adds to the
amazing material released by Drugs of Faith. If you are a fan of inventive grindcore
or at the very least sick of bands using the same formulas, this is definitely a band
you need to invest some time in. This is a demo I can't recommend enough as these three
songs are just ridiculously good.
Viking Skull-Doom, Gloom, Heartache and Whiskey
(Candlelight Records, 2008)

Amazing doesn't even come close to describing this latest album from Viking Skull. Gruff
vocals and memorable riffing attacks your sense leaving a permanent impact on your
unsuspecting ears. While the band certainly draws influence from the glory years of metal
and hard rock, there is still a modern feel to the album at times. Think Mastadon mixed
with Black Sabbath, Motorhead and AC/DC and you'll somewhat know what to expect from
Viking Skull.
There is no denying the power of a solid metal riff. Sure showing your chops works for
some bands but writing a riff that sends shivers down your spine has always been what
metal bands have been striving for. The guitarists in the band certainly know how to
write riffs and the songs themselves are built on simple ideas that stick with you for
days. If you look at a band like Motorhead they had a ton of songs that have riffs that
sounded very similar. Same goes for AC/DC it really helps you associate a certain sound
with a band. There is definitely that consistency from track to track here. The band
knows what works and doesn't stray from that path. It definitely would have been a train
wreck had the band attempting to add say death metal influences to the sound, although
the band does share a few qualities with the death rock style Entombed utilized on a
number of their albums.
The albums only stumble comes in the form of the closing song Drink. It's going for a
saloon type sound with piano and silly lyrics and while it is somewhat amusing it somewhat
ends the album on a sour note. It would have worked better as a hidden song that started
awhile after the album has finished. That said there are some amazing songs to behold
in this album. If you are a fan of any of the bands mentioned in the review or possibly
Priestess, pick this album up ASAP.
Anael-From Arcane Fires
(Paragon Records, 2008)

There is a common misconception that all black metal is speed driven. Granted the majority
of the genre is fast in nature, but with a band like Anael speed is almost an afterthought.
Epic in nature, the album boasts long songs and remarkably creepy pacing. The 12 minute
opener starts off with simple drum rolls before the guitars coat the sound with a dark
entrancing feel. While it certainly is black metal in style, it isn't typical and shows
a band willing to take the genre down more creative paths.
The album is rather ambient in nature at times. The band soaks certain sections in feedback
and even the moments that seem more typical of the genre feature riffs dripping with
atmosphere. The reverb soaked guitar sound is adequately heavy but much more spacey than
you would expect. The first taste of speed comes around three minutes into the third
song. It works extremely well given that the song opens with a noisy clean guitar section
before slowly building up the pace. Epic and brooding would both be ideal ways to describe
Anael. This is tortured and elegant at the same time.
Out of all of the subgenres of extreme metal, black metal seems to be the only one
right now that still shows a number of bands moving the genre forward. It is a genre
that is often chastised for being filled with similar sounding bands but that is usually
from people who aren't familiar with the genre to any extent. From Arcane Fires is a
journey filled with surprising melody, stark riffing and an excellent combination of
funeral doom, black metal and ambience.
Hellveto-Neoheresy
(Pulverised Records, 2008)

Here we have yet another band pushing the black metal in creative ways. Hellveto is
a one man project but from the richness of the music you really have a hard time
believing it. This is an album that really pushes back the harshness of the black metal
genre. The cold feel it still there but the overall feel of the music is somewhat
mechanical and slightly industrial in nature. The band manages to be grim, melodic and
epic at the same time which is no small feat.
The vast majority of the album is somewhat mid tempo. The riffs have a slight rock feel
at times and the band manages to shake the typical black metal tag by basically just
not being a typical black metal band. They essential throw convention to the wind and seem
to have no boundaries for what is fair game in their music. Only the third song is
somewhat typical of the black metal genre bringing in blasting and a more straight
ahead riffing style. The band still manages to be unique by using clean vocals intead
of the harsh style you might expect. Speed shows up very rarely in the remaining songs
and it is quite refreshing to see a black metal band that doesn't rely on the blast
beat.
Creative and brooding, Hellveto has a unique take on the black metal genre and has managed
to create a 35 minute journey of surprising diversity. The cover art might make you think
this is going to be just another black metal album but that couldn't be any further from
the truth.
Vulcano-Tales from the Black Book
(I Hate Records, 2008)

All fans of Brazilian death metal should be familar with Vulcano so a history lesson
shouldn't be necessary. But for those of you that don't know before there was Sepultura
there was Vulcano. There is a reason why the band is mentioned along with Sarcafago and
Mutilator as being some of the most raw and bestial metal ever recorded. Tales from the
Black Book was originally released in 2004 and is now being re-released by I Hate Records.
On behalf of metal fans everywhere I say thank you.
What is remarkable about Tales from the Black Book is just how damn good the album is
and just how well the band has captured the spirit of their early material. This is a raw
and primal album built on savage energy and memorable riffs. This could have easily been
released in the early 80's and that is exactly what fans of the band were hoping for.
Modern influences are nowhere to be found and the band has even opted for a raw and
old school production. The sound fits perfectly allowing the stripped down nature of the
band to really shine through.
It amazes me that this album really never received the
accolade that is certainly deserves. This is basically the album that fans of old school
death metal and thrash metal have been waiting for and yet you basically hear nothing
about it. Hopefully with I Hate re-releasing the album more people will take notice
this time around. Vulcano are legends in their own right and the fact that they
reformed and recorded an album this good is utterly mind blowing. If you missed out on
the album when it was originally released in 2004, don't miss out again.
Root-Hell Symphony/The Book
(I Hate Records, 2008)

Root is one of those bands that I have heard of for years but for whatever reason
have never actually heard. Thanks to I Hate Records my ears have been introduced to the
unique black metal played by this Czech band and I am definitely impressed. It makes
me wish I didn't miss the boat on this band and could have been listening to them for
years.
Hell Symphony was originally released in 1991 and while the album does sound dated it
only adds to the charm of the album. The band had a very unique take on the black metal
genre complete with shredding guitar leads, an abundance of melody and a vicious vocal
approach. The riffs themselves are rather straight forward and somewhat doom based. This
is definitely from a time period when black metal was not primarily based around speed.
The fast moments are thrash like in nature and there isn't a blast beat to be found here.
The album itself is ridiculously varied and the band really never settles into one type
of sound. Along with the 10 songs that originally appeared on the album, you have two
bonus songs from an earlier re-released of the album as well as three live tracks.
The Book was released originally released in 1999 and shows the band focusing on a much
more epic approach with clean vocals and an abundance of acoustic guitars being added to
the mix. The outcome is now less unique than Hell Symphony if not more so in a lot of ways.
Calling the band black metal on this album really doesn't sit well with me. It is indeed
dark but the album seems to be the predecessor to today's folk metal than it is a black
metal album. The songs all have a fairly similar feel and a hint of rock is prevalent in
a lot of the riffing. The atmospheric side of the band is also amplified greatly with
this release. It boggles my mind that this might just be one of the most unique metal
albums ever released and Root is still a relatively unknown band.
This is my first exposure to Root and I am just blown away by the creativity and odd
nature of the band. The band has undeniably had an impact on many bands and yet they
still remain unknown. If you are a fan of unique, dark and somewhat odd metal, The Book
comes highly recommended. If you are a fan of old school black metal but still want that
creativity, Hell Symphony definitely delivers. Or just do yourself a favor and pick up
both.
Nervo Chaos-Quarrel in Hell
(Ibex Moon Records, 2008)

This Brazilian band is somewhat hard to pigeonhole. While the style is most certainly
death metal in nature the band throws a lot of variables into their sound. There is
definitely a slight war metal feel that not only brings back memories of early South
American death metal but also gives the band a slight Aussie feel at times as well.
Regardless of what type of riff the band is throwing at you, they do it with incredible
energy. Calling this high speed would definitely be an understatement.
What really stood out to me was just how unique the band is. The overall sound is a
combination of death metal, thrash and black metal but the resulting sound really
is quite unique. The band doesn't rely on the usual cliches in the riffing department
and as a result manage to write unique riffs that still sound tremendously heavy but
are still fresh as well. Vocally the band uses a guttural roar that is downright
devastating. It fits the sound perfectly and helps to cement the band in the death metal
genre quite firmly.
Brazil has a long history of amazing metal bands and this band has been adding to that
legacy for 12 years now. This very well might be your first exposure to the band though.
If you are a fan of dark yet unique death metal, Quarrel in Hell comes highly
recommended.
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