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Welcome To Unbound Zine |
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| Album Review |
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Comity-The Deus Ex-Machina As a Forgotten Genius (Andy Warhol Sucks)
(Untied Edge Records, 2004)

Calling this band unique would be a definite understatement. Comity hails from France and plays a style that is somewhere between hardcore and metal, but they definitely do not have much to do with the current metalcore sound. The bands riffs are technical and weave and blast, and you’ll have no idea what to expect next. They even have some more sludgy sections as well as melodic breaks and even some more common place breakdowns. All of this in a matter of minutes, and these are long songs so that should tell you that this is all over the place. And that is definitely putting it lightly.
The shortest song on here is just over nine minutes while the longest just breaks twelve minutes. So basically these aren’t your average hardcore songs. Songs have lengthy breaks of quieter instrumentation which gives the songs an almost sound scape like sound at times. It does a lot to break up the tracks because 12 minutes of constant bludgeoning might be a bit too much. The dissonance and unusual nature of the bands riffs doesn’t lend itself to being the most memorable listen but there is a surprising amount of quirks that you’ll remember after the songs are finished.
This is simply put an amazing sounding album. The guitar tone is crushingly heavy, yet you can still make out ever little detail. The entire band really manages to stay very tight which is quite the feat when you consider how all over the place the music can be from time to time. They have just the right amount of raw textures to make the album vicious sounding, but every instrument rings through clear so you won’t have to strain at all to pick up what’s going on.
I suppose the ideal description might be Dillinger Escape Plan mixed with Neurosis’s cleaner moments. They definitely have a unique sound and each riff brings surprises, but that might give you at least an idea of the musical journey you are in store for here. This definitely isn’t just another copy cat album, this is essential listening that shows a new rung in the evolution of hardcore.
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UN: I was surprised to read that you guys have been together since
1996. With aggressive music bands come and go, but this shows that you
guys are dedicated. Do you feel that Comity has come a long way
musically since your beginnings?
Alex: Oh yeah definitely. At the beginning it was more a NYHC metal influenced
type of music and it evolved to a more complex and technical approach. A
lot of things have changed since our debut, both our personal
experiences and musical experiences especially the live performances,
gave us a new approach to the song writing process, so all of this put
together made the band sound different from when it started.
UN: You guys have gone through numerous line-up changes over the years. Is it hard at times to keep everything together? Does it sometimes feel
like swimming against the current having to break in new people and
teach them all of the older songs? Do you feel secure with the current
line-up?
Alex: Well I guess its part of a band's experience to have break ups. Sharing
hard times trying to find the right line up ties people together and in
the end make 'em stronger and more perseverant... I guess Nietzsche's
quote "what doesn't kill you, makes you stronger" is appropriate. As for
now, the line up is pretty secure, even though you can never predict if
one wants to call it quits for personal reasons, there's a good
connection between the 5 of us and we hope we'll keep it that way.
UN: How did things come together with United Edge? Is the band
officially signed to the label or did they just license the album for
North America? Is the upcoming DVD/EP going to be released by United
Edge?
Alex: Well, after the press feedbacks we had for the European release on
Terrorizer, Lambgoat and such, we started looking at some foreign labels
that might be interested in licensing the album, and after a few
contacts we finally came up on a licensing deal with UER for the
re-release of the first album and the upcoming effort that'll include
some video material. This should be scheduled for late 2005.
UN: What can you tell us about the DVD/EP? I'm sure over the years you
guys have built up a pretty big collection of live footage. Is the
DVD going to mainly consist of concert footage?
Alex: We don't really know yet
what it's going to look like, but there will sure be live footage of
gigs in France and Europe, and also a video that we're working on right
now.
UN: While I'm somewhat familiar with the scene in France, Comity really
stands out amongst what I have heard. Would you say that there is a
supportive scene for this style of music or does it mainly cater to the
black metal or death metal styles? There seem to be very few hardcore
bands that get their name known outside of the country.
Alex: The few bands that really stand out and get to have an echo outside
France are tantrum, Amanda woodward and knut , either because they got
the chance to be released by a label overseas ( which is the case for AW
and Knut) or because thy got the chance to play with some foreign bands
that liked what they did and spread the name around. The thing about
France, is that bands don't tour a lot especially outside the French
territory, so they don't really get the chance to get known abroad. Now
regarding the scene, bands like DEP and Converge opened the crowd to a
different type of music that mixed the crowd between
metal/black/death/hxc, and over here, people are getting to be pretty
supportive of that kind of music.
UN: Would you say that there is going to be any chance at the US
tour?I'm not sure how much United Edge could offer in the ways of tour
support, but having the album out in the US definitely would spark
peoples interest in getting the chance to see the band in a live
setting.
Alex: There is talk of tour, since it's part of the deal, but not dates have
been set yet.
UN: When writing the music for Comity, do you feel like you have no
boundaries or rules you have the follow? You guys are harsh one minute
and incredibly relaxing the next, covering pretty much the entire
musical spectrum in a matter of minutes.
Alex: The only boundary that we try to set our selves is to have a coherent
mix and not just a bunch of riffs thrown here and there just to sound
chaotic. That's the whole challenge of the writing process, no matter
what kind of style you blend in, always make sure it fits in the right
place at the right time and adds something truly important to the music.
UN: Do you think that Comity is a band that might take people a fews
pins to full understand and appreciate? The heavier elements might sink
in right away but to absorb the ambient sections and longer song lengths
could take a few listens. Do you think that payoff is much more
satisfying when you have to dig into an album and fully explore it?
Albums that are instantly gratifying are usually just as forgettable.
Alex: From my point of view, the few albums that truly influenced me are the
one's in
which you have to dig into. We don't have the pretension of becoming a
major
influence because of the complexity of the music, but we don't feel like
composing it any differently.
UN: Would you say that it's exciting for you guys to have a release out
in the US? But a the same time the EP is actually fairly old, are you
guys excited to get some new material written and recorded for people
to consume? Does the newer material differ in any way?
Alex: We're really excited about the US release, because it shows that people
have some interest in what's going on abroad and especially in France
which is rather rare especially in music As for the new material, it's
going to be somewhat different from the previous album we released. You
can have a taste of that on the 2 track EP featuring on the US release
which are the latest material we recorded and that sound the closest to
what the upcoming album.
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