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Welcome To Unbound Zine |
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| Album Review |
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Evergreen Terrace-Writers Block
(Eulogy, 2004)

For some reason I just can’t get enough of hardcore and punk bands playing covers. They just manage to add more energy and generally make the song their own in some way or another. So when I found out Evergreen Terrace would be releasing a covers album I was pretty excited. I was even more excited when I discovered that the bands and songs they covered were quite unique and not the same songs that have been done to death.
If you are new to Evergreen Terrace, they are basically a very heavy hardcore band that utilizes a lot of melody in their music along with the heavy. So a lot of the songs they chose really fit well into the bands sound. The disc opens with a heavy as hell rendition of Maniac. Yes, it has been covered before, but it sounds damn good when ET puts their stamp on it. What follows are two of the biggest surprises here, Zero by the Smashing Pumpkins and Plowed by Sponge. Do any of you actually remember Sponge and their two hits? I do, and they do a pretty damned cool cover of Plowed. It’s actually pretty close to the original, aside from the added heaviness and screaming. The cover of Zero is also pretty close to the original but heavier and with screaming as well.
A covers cd wouldn’t be complete without at least a few 80’s songs and those come in the form of Mad World by Tears for Fears, and Sunday Bloody Sunday by U2. Mad World is a very cool song in it’s original form and Evergreen Terrace manage to do a damned good cover of it. It’s actually probably the most melodic song on here, featuring the most clean vocals. It of course it’s 100 times heavier, but it’s still a fairly faithful rendition. You’ve got to love the breakdown riff they turned the chorus into though! The Sunday Bloody Sunday cover really works. For what is a tremendously mellow and laidback song, they’ve managed to wrestle some dynamics out of it and have made a song that transitions between screaming and singing quite well. I think what makes this album so worthwhile is that the band actually makes the songs unique and doesn’t play it safe with any of them.
Of course this being a hardcore band there has to be punk covers right? Yep. They come in the form of Knowledge by Operation Ivy, The Kids Aren’t Alright by The Offspring, and Dying Degree by No Fx. Once again this aren’t commonly covered songs, with the exception of Knowledge perhaps. The Offspring song is actually a fairly new song, and it’s a surprising choice but works really well. The No Fx is more straight forward, and it’s pretty close to the original. Just a lot heavier, and with much more screaming.
Pretty much the only cover that you could say is a bit predictable is Stars by Hum. But to be honest it’s one of my all time favorite songs so I don’t mind hearing the bands take on it. It’s damned good too!
I know what you’re thinking cover albums are a dime a dozen these days, but damn this may just be the best one that I have ever heard. Evergreen Terrace manages to make each song their own and truly delivers a unique listening experience.
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UN: Did you guys see your debut album as almost a way to reinvent the
band and bring the band to the level that you wanted? I'm not saying that the sound has changed all that much, but the band is tighter now
and seems much more focused on what you want to accomplish musically.
Could you almost consider the ep to be a demo looking back?
Jeff: Yeah, the EP was definately more of a demo for us. It was our first real
studio experience, and we hadn't been together as a band all that long. We
were sloppy. I wouldn't say the full length was intended to reinvent the
band, it was more of a natural progression. We'd just been playing
together longer, and alot more often, and we spent more time writing the
songs.
UN: Were you surprised by how many people seemed to bitch about the new
melodic approach at first? I mean, with hardcore, people are especially
fickle. If a band changes at all the scene police are out within minutes
clogging message boards with pointless criticism. It all seems like a
moot point, especially when you consider that Make Yourself Sick is
going to be the first time a lot of people hear Boys Night Out.
Jeff: I couldn't agree more. We've always been a melodic band, with lots of
poppy elements in our songs. We have definately never been a hardcore
band, nor have we ever tried to parade as a hardcore band in any way. If
anything it was the heavier stuff was kind of sticking out like a sore
thumb in our earlier songs. and still, it wasnt even that heavy, maybe
just more screaming. But hey, people are free to their opinions, if old
fans don't like the progression of the band, and the songs that we write,
then thats totally cool with us.
UN: How long was the writing process for the new album? It seems like
Broken Bones & Bloody Kisses has been out for quite some time. Did you
guys take more time with each individual song? As a whole the album is
extremely well written and flows well from beginning to end. It's damn
infectious as well!
Jeff: Yeah, I spent alot more time writing all the riffs, and we spent tons of
time putting the songs together. We holed up in a basement of an antique
store and smoked opium every day for a year. chasin' the dragon, baby.
UN: Do you guys have an almost everything goes type of attitude towards
songwriting? I know the newer songs are more concise but there still is
a lot of variety. After all you don't hear many pop punk rooted bands with
insane screaming and breakdown riffs. Plus the more ambient
acoustic song is something new for the band as well.
Jeff: Yeah, it's pretty much when we're practising, and someone comes out with
something that sounds good, and is fun to play, we'll work with it. As
long as it has a groove to it, it's all good.
UN: I was wondering if you could go into detail about the album name. I
think I read somewhere that it has to do with a party you guys were at.
I'm sure over time that album name has come to mean more to you guys
though.
Jeff: Yeah, it has something to do with a party, about someone partying too
hard, but also it fits into the theme of the songs on the record. Just
about different kinds of abuse, mainly self abuse, with drugs and
relationships. The title just kind of seemed right to all of us.
UN: Does the album art have anything to do with the name of the album?
To me, it either looks like people committing suicide by drowning
themselves, or possibly people recovering from a bad hangover.
Surprisingly enough, both seem to fit in with the bands subject matter.
Jeff: That's exactly what we were shooting for. Both of those things.
UN: While the band is excellent musically, I'd say it's the lyrical
approach that really helps you guys stand out. Hell, some of these
lyrics would make even a diehard Cannibal Corpse fan shiver. Obviously
you guys aren't out to kill anyone, what would you say influenced the
bands lyrical approach? Do you just consider it an outlet for
aggression?
Jeff: Possibly yeah. It's alot of things. Maybe a small unhealthy obsession with
death, it's good catharsis, and it's so much easier to write about tragedy
then to write about smiles and puppy dogs and rainbows. Although we're
doing a song about each those things on the next record. We're exploring
new ideas. moving on.
UN: One thing I found interesting about the lyrics were that a lot of
them were criticizing from the first person. Meaning you basically are
judging yourself. This is almost unheard of in hardcore music. In a
genre that is so quick to point fingers and judge others lyrically, it's
nice to see a band able to break down that wall and tell people that
they aren't perfect. It's a much more human approach to songwriting.
Jeff: Hey, human beings are disasters. We just figured we should let everyone
know.
UN: How did Ferret come into the picture? At first I was a bit surprised
because you guys definitely stand out among the Ferret roster because of
them mainly having heavier bands. But when I thought about it more,
every band is unique and has something different to offer. Considering
that you fit in perfectly I think. How have things been working out with
Ferret?
Jeff: They contacted us after onedaysavior found us on the internet, and they
really wanted to put out some records with us. We were into it right away.
Ferret's a great label, amazing bands, amazing dudes. We're very happy
there.
UN: If I'm not mistaken you guys are getting the chance to tour the
states much more then you had the chance to in the past. Do you find it
exciting that you guys are bringing your music out to new faces and
cities you probably haven't had the chance to play before?
Jeff: Yeah, I love it. Touring can be hard, especialy with the amount that we're
on the road, but it's what i've wanted to do since i was like, 10 years
old.
UN: I'm assuming that you guys are planning on touring as much as
humanly possible. Considering it said on tour forever on your website.
Is this what it's always been about? Just getting out there and touring? Does being on Ferret make it much easier to be on tour?
Jeff: Well, yeah, that's what being in a band is. We're not going to be able to
get our music out to anyone sitting on our asses, hoping that people will
check us out on their own somehow, we have to be out there playing
constantly. We will take time off to record a new record and for some
other stuff, but we'll be touring indefinately.
UN: Do you guys set up your own tours or do you guys use a booking
agents? I'm always curious to find out how tour packages come together.
Do a lot of tours come together with bands just being friends with other
bands? I'm sure that might have been the case with your current tour
with Alexisonfire, another Canadian band who are doing very well right
now.
Jeff: We have an awesome booking agent who's been an incredible help for us.
Being friends with the bands, and calling each other up and talking about
touring is a big factor in tour packages coming together, but there's
always a lot more going on with management, and labels, and bookng agents
to put packages together. And yeah, us and the alexisonfire dudes have
wanted to tour together since we did a short canadian run about a year ago
with FATA and a static lullaby.
UN: Do you think that being from Canada is a help or a hindrance? The
scene here really doesn't get much credit, but bands like Grade did
well, and Alexisonfire are doing well. There have always been metal
bands making it pretty good, but Canadian hardcore bands never seem to
make themselves very well known outside of Canada. Do you find a lot of
people saying "eh" to you guys as a joke? For example, you guys are from
Canada eh?
Jeff: Yeah, lately canada, our area of ontario especialy, has been exploding in
the punk rock scene. Pretty much any band that really goes for it, and
wants to do more than just play local shows every now and again, is
getting well known. which is an awesome thing, There's so much talent
around here, it's good to see. and yeah, the eh thing sucks. We all get it
like, 15 times a day. not funny anymore
UN: Are you hitting areas of Canada you've never hit before on this
Alexisonfire tour? It seems funny to me that a lot of bands from Canada
tour across the US before they even do a cross Canada tour.
Jeff: Canada is very hard to tour across if you're not with an extablished band,
or with a solid booking agency. Cities are few and far between and sketchy
shows are in abundance. We're hitting everything west of ontario, which
we've never done before, save for one show in winnipeg once, a long time
ago before our E.P. was out.
UN: What's next for you guys? Just keep touring and working on getting
the name out there? I'm assuming it's way too early to talk about the
bands next album.
Jeff: Yeah, we'll be touring till some time in the fall when we'll take some
time off to really work our asses off on the record. Lots of stuff has
been written, and we've got some really good concept ideas in the works.
we really want to try to do something interesting for the next album. It's
not gonna be some wacky, different concept album, it's stil going to be
boys night out, but probably quite a bit creepier.
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