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  Welcome To Unbound Zine  
Album Review

Bloodlined Caligraphy-The Beginning of the End
(Strike First, 2004)


Raging metalcore is what BC specialize at, and within the first 5 seconds of the first song it's clear why this band is now signed to Facedown Records. The band manages to be sickeningly heavy, yet has a great sense of dynamics, and isn't afraid to throw in some straight forward fast hardcore riffs to let everyone know what scene they come from.

Like a lot of hardcore bands these days breakdowns are a huge part of the bands sound. The band manages to squeeze every last ounce of energy out of the breakdown riffs, but I think it's the more melodic riffs that really make the band shine. Some of the riffs really surprised me and almost had an Iron Maiden like feel to them. Others are a bit more along the lines of what you'd expect from the genre, a bit more emo or indy rock influenced. Don't let that fool you though, the band is very heavy, they just know when to throw in melody to keep things interesting.

The vocals on this thing are just plain sick. The vocalist, Ally, is just phenomenal and has one of the heaviest voices you'll ever hear. It's defnitely proof that woman are just as potent vocally as men. If not more so in some cases. They rips and tears her vocal chords most of the time, but also growls with the best of them at times as well. One of the other members of the band contrbutes clean vocals as well, which adds a lot of diversity to the vocals on the album.

This EP is too much of a tease. Now that I know what the band is capable of I can't wait to hear the bands debut full-length for Facedown. If you are into metalcore that isn't afraid to kick up the tempo, and that isn't afraid to try new things, then you need to check out Bloodlined Caligraphy right now.

 

 
 


UN: Let’s go through a history of BC. When did Ally come into the band on vocals? Is the new MCD her debut performance?

Bloodlined Caligraphy: Ally joined the band in September of 2003. The EP is her debut with this band.

UN: How did you guys become associated with Facedown? I would say that the band's sound fits in well with the label's roster. Do you think that this is the ideal label for BC?

Bloodlined Caligraphy: Jason Dunn from Facedown heard us play while he was out with Sinai Beach for a couple shows in Michigan. He must have liked what he heard and saw because he asked us to join the Facedown roster the next day. We absolutely love Facedown Records. The staff at Facedown has to be one of the best in the music industry because they care about their bands both musically and on a personal level, which is a rare commodity in the current music scene.

UN: Let’s talk about the new EP for a bit. Would you say it shows a progression in the bands sound? I think it’s definitely the best material yet from the band.

Bloodlined Caligraphy: The EP was mostly songs from a previous full length redone with Ally on vocals. Ally's vocals fit our band's sound better.

UN: Do you think the bands sound has expanded at all with the new EP? It’s definitely varied and covers a lot of ground musically.

Bloodlined Caligraphy: Definitely. Our new full length that comes out in April, They Want You Silent, is the best material we have ever written, hands down. It is a very new direction for the band and we are very excited about it.

UN: “Trying to Collect Child Support from Ghostdad” deals with a fairly common subject, cheating. Do you think it’s even worth trying to salvage a relationship after something like that happens? After all, it’s about the biggest breach of trust there is.

Bloodlined Caligraphy: What a very hard question. I think cheating is an awful thing to do and to have done to you. I suppose you should take it on a case-to-case basis. Trust can usually be built back up in time. But if you look at the people who cheat on other people, it tends to be a re-occurring trend for them. No one wants to be with a cheater. No one wants to feel that kind of hurt. When you give your heart to someone, the last thing you expect is for a loved one to shove a knife in it.

UN: “Funeral For Dead Roses” deals with the death of hardcore as it used to be. It seems like the media and trends are killing what the scene once was. Shows aren’t about bands anymore, just showing off new clothes. Do you think the scene can still be salvaged?

Bloodlined Caligraphy: We sure hope so, otherwise why are we doing this still? What would be the point of being in a band if we're playing for deaf ears that are corrupted by mass media? There will always be bands and kids from the old generation who will be able to reach some kids and bands in the new generation. Together, they can help promote what the scene really is about. And it certainly has nothing to do with a fashion show.

UN: Do you think that more could be done within the scene to expose people to Christian hardcore? Some people think that religion has no place in music but I think personal beliefs would naturally be subject matter that would be dealt with in music.

Bloodlined Caligraphy: Agreed. Hardcore is a platform for spreading your beliefs and expressing that which you are passionate about. This means you could be a straight edge band trying to spread a poison free message, or atheism, or politics, or religion....but hardcore has always been about having a message and there's no reason why Christians should have to stay silent. Overall, it would appear as though Christian hardcore is growing pretty rapidly.

UN: When do you think we can expect the bands Facedown debut? Can we expect it to be along the same lines as The Beginning of the End?

Bloodlined Caligraphy: April 2005. Yes and no. It's still Bloodlined Calligraphy without a doubt. But there is definitely a different feel to this album, both vocally and musically. It's very heavy.

UN: Is Bloodlined Calligraphy a full time band just yet? I’m assuming this is something that you would want to make a living at?

Bloodlined Caligraphy: We are going full time in April. From then on, you can expect to see us out on the road a lot more than we have ever been before. Without a doubt, it would be great to make a living off of this. But it's not about the money; it's about the music.

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